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thonet

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Tubular steel classic S 43 – clarity in the spirit of modernism

Simplicity that unfolds its effect everywhere: Mart Stam removed the back legs from furniture that for centuries had been created based on the same principles. Through evolutionary refinement, an object that simply looks good in any place where both understatement and quality are wanted. For his furniture designs, Mart Stam placed a high value on usefulness and austerity with regard to aesthetics as well as material. The straight-lined form, a clear construction and improved sitting comfort resulted from this approach. Stam achieved the greatest possible reduction with the cantilever chair S 43 by combining the tubular steel frame with moulded wood elements for seat and backrest. The pure, restrained form of this cantilever chair makes it an exemplary design in the spirit of modernism. Today, Thonet owns the artistic copyright for the strictly cubic chair without back legs. The reading hall for natural sciences of the German National Library in Leipzig was furnished with the cantilever chair S 43 in 1933.
鋼管經(jīng)典S 43–現(xiàn)代主義精神的清晰



簡潔處處展現(xiàn)其效果：Mart Stam移除了家具的后腿，幾個世紀以來，這些家具都是基于同樣的原則創(chuàng)作的。通過進化完善，在任何需要低調(diào)和質(zhì)量的地方，一個看起來都很好的物體。對于他的家具設計，馬特·斯塔姆（Mart Stam）高度重視實用性和樸素的美學以及材料。這種方式帶來了直線形狀、清晰的結構和更好的坐姿舒適度。Stam通過將管狀鋼框架與座椅和靠背的模制木質(zhì)元件結合，實現(xiàn)了懸臂椅S 43的最大可能減少。這把懸臂椅的純粹、克制的形式使其成為現(xiàn)代主義精神下的典范設計。如今，Thonet擁有這把完全沒有后腿的立方體椅子的藝術版權。1933年，位于萊比錫的德國國家圖書館的自然科學閱覽廳配備了懸臂椅S 43。

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